Gustoso post quello comparso su Rifftides (vedi link nella blogosfera) , uno dei migliori jazz blogs americani ad opera del giornalista e scrittore Doug Ramsey. In questo periodo tutti gli artisti fanno pressioni sui critici e sulle riviste specializzate per avere una nomination per i Grammy, il premio discografico più ambito. E cosi' Doug pubblica una corrosiva lettera ricevuta da
John Altman , compositore inglese di colonne sonore, sassofonista e band leader. Troppo simpatica per non pubblicarla, ma troppo lunga per tradurla (e poi c'è sempre Google Translation...): I'm really disappointed. My new CD, The Jazz Soul Of Paris Hilton, has not been nominated for a Grammy. The followup to my brilliant CD Britney Spears: The Jazz Years, it has garnered rave reviews in the jazz press and received NOT ONE vote in this year's Grammy build-up. I worked closely with Paris herself, assembling an all-star aggregation of jazz talent to interpret the Abdullah Ibrahim/Boney James-inspired compositions of the reality TV star and all around credit to society. For the talented Ms. Hilton's understanding of social issues, I'm especially proud of "I Come From Barack Obama with a Banjo On My Knee." It is reminiscent of Max Roach's Freedom Suite. Accompanied by an all-star aggregation, Paris H, guest rappers Jay Z, Jazzy B and fiery jazz virtuoso sax man Kenny G deliver an astonishing piece of jazz social commentary. The incredible handpicked lineup of jazz stars includes Herbie Hancock on clavinet, Woody Allen on clarinet and Wynton Marsalis on the internet. Possibly one of the best rhythm sections ever assembled in the history of jazz recording -- George Segal on banjo, bass virtuoso Charlie Haden on banjo, Marcus Miller showing his versatility on banjo, and Diana Krall and Elvis Costello sharing drum duties -- shows why jazz is still a living art form appreciated by millions all over the world. Other guest appearances include Cuthbert Marsalis, the least known member of the jazz dynasty, probably because he is an English aristocrat who does not play any musical instruments and did not invent jazz in 1980; legendary godfather of smooth jazz and easy listening Cecil Taylor; Michael Bublé crooning the all-time favourite "I Never Heard of Mel Tormé;" and James Carter playing "Salt Peanuts." Oops. That should read Jimmy Carter, reprising the famous White House duet with Dizzy Gillespie that defined his jazz credentials.Some of the critical raves: "I laughed till I cried" -- Don Heckman, Los Angeles Times "What a load of rubbish" -- Nat Hentoff "Is this man serious?"-- Brick Wahl, LA Weekly "Brilliant!!!" - Stanley Crouch New York Times "My personal iPod favourite" -- George W Bush Please, everyone, vote for me in category 10,996 of this year's Grammys -- Best Jazz and Hip Hop Album By a Country Smooth-jazz Crossover Artist Not in the English Language. I promise not to write again until the Emmys are upon us. I will be soliciting votes for my two reality shows -- Newsreading With The Stars, where professional ballroom dancers learn to play pro football and read the news, and America's Idle, where no one has a job any more due to the bizarre global economic policies of the last 8 years.
