Il labirinto

Un sorriso (Mazzella)

Un sorriso non costa niente e produce molto arricchisce chi lo riceve,

senza impoverire chi lo da.

Dura un solo istante,

ma talvolta il suo ricordo è eterno.

Nessuno è così ricco da poter farne a meno,

nessuno è abbastanza povero da non meritarlo.

Crea la felicità in casa,

è il segno tangibile dell'amicizia,

un sorriso da riposo a chi è stanco,

rende coraggio ai più scoraggiati,

non può essere comprato, ne prestato, ne rubato,

perché è qualcosa di valore solo nel momento in cui viene dato.

E se qualche volta incontrate qualcuno

che non sa più sorridere,

siate generoso,dategli il vostro,

perché nessuno ha mai bisogno di un sorriso

quanto colui che non può regalarne ad altri.

Scrittori dimenticati:Erich Maria Remarque

Erich Maria Remarque (22 June 1898 – 25 September 1970), born Erich Paul Remark, was a German author, best known for his novel, All Quiet on the Western Front.

Erich Paul Remark was born on 22 June 1898 into a working-class family in the German city of Osnabrück to Peter Franz Remark (b. 14 June 1867, Kaiserswerth) and Anna Maria (née Stallknecht; born 21 November 1871, Katernberg). At the age of 16 he made his first attempts at writing: essays, poems, and the beginnings of a novel that was finished later and published in 1920 as The Dream Room (Die Traumbude).

At 18, Remarque was conscripted into the army. On 12 June 1917, he was transferred to the Western Front, 2nd Company, Reserves, Field Depot of the 2nd Guards Reserve Division at Hem-Lenglet. On 26 June, he was posted to the 15th Reserve Infantry Regiment, 2nd Company, Sapper Platoon Bethe, and was stationed between Torhout and Houthulst. On 31 July, he was wounded by shrapnel in the left leg, right arm and neck, and was repatriated to an army hospital in Germany where he spent the rest of the war.^[1]

When he published All Quiet on the Western Front, he changed his middle name in memory of his mother and reverted to an earlier spelling of the family name to dissociate himself from his novel Die Traumbude.^[2] The original family name, Remarque, had been changed to Remark by his grandfather in the 19th century. He worked at a number of different jobs, including librarian, businessman, teacher, journalist and editor. His first paid writing job was as a technical writer for the Continental Rubber Company, a German tire manufacturer.^[3]

Remarque in Davos, 1929.

In 1927, Remarque made a second literary start with the novel Station at the Horizon (Station am Horizont), which was serialized in the sports journal "Sport im Bild" for which Remarque was working. It was published in book form only in 1998. His best known work, All Quiet on the Western Front (Im Westen nichts Neues) was written in a few months in 1927, but Remarque was not immediately able to find a publisher.^[4] The novel, published in 1929, described the experiences of German soldiers during World War I. A number of similar works followed; in simple, emotive language they described wartime and the postwar years.

In 1931, after finishing The Road Back (Der Weg zurück) Remarque left Germany.^{[citation needed]} He bought a villa in Porto Ronco in Switzerland and lived both there and in France until 1939, when he left Europe for the United States of America with his wife. They became naturalized citizens of the United States in 1947.

On 10 May 1933, the Nazis, instigated by the then Nazi propaganda minister Joseph Goebbels banned and publicly burned Remarque's works and produced propaganda claiming that he was a descendant of French Jews and that his real last name was Kramer, a Jewish-sounding name, and his original name spelled backwards. This is still cited in some biographies despite the complete lack of evidence. The Nazis also claimed, falsely, that Remarque had not done active service during World War I.

In 1943, the Nazis arrested his sister, Elfriede Scholz, who had stayed behind in Germany with her husband and two children. After a short trial in the "Volksgerichtshof" (Hitler's extra-constitutional "People's Court"), she was found guilty of "undermining morale" for stating that she considered the war lost. Court President Roland Freisler declared, "Ihr Bruder ist uns leider entwischt—Sie aber werden uns nicht entwischen" ("Your brother has unfortunately escaped us—you, however, will not escape us"). Scholz was guillotined on 16 December 1943.^[5]

His next novel, Three Comrades (Drei Kameraden), spans the years of the Weimar Republic, from the hyperinflation of 1923 to the end of the decade. Remarque's fourth novel, Flotsam (in German titled Liebe deinen Nächsten, or Love Thy Neighbour), first appeared in a serial version in English translation in Collier's magazine in 1939, and Remarque spent another year revising the text for its book publication in 1941, both in English and German. His next novel, Arch of Triumph, first published in 1945 in English, and the next year in German as Arc de Triomphe, was another instant best-seller and reached worldwide sales of nearly five million.

In 1948, Remarque returned to Switzerland, where he spent the rest of his life. There was a gap of seven years — a long silence for Remarque — between Arch of Triumph and his next work, Spark of Life (Der Funke Leben), which appeared both in German and in English in 1952. While he was writing The Spark of Life Remarque was also working on a novel, Zeit zu leben und Zeit zu sterben (Time to Live and Time to Die). It was published first in English translation in 1954 with the not-quite-literal title A Time to Love and a Time to Die. In 1958, Douglas Sirk directed the film A Time to Love and a Time to Die in Germany, based on Remarque's novel. Remarque made a cameo appearance in the film in the role of the professor.

In 1955, Remarque wrote the screenplay for an Austrian film, The Last Act (Der letzte Akt), about Hitler's final days in the bunker of the Reich Chancellery in Berlin, which was based on the book Ten Days to Die (1950) by Michael Musmanno. In 1956, Remarque wrote a drama for the stage, Full Circle (Die letzte Station), which played successfully in both Germany and on Broadway. An English translation was published in 1974. Heaven Has No Favorites was serialized (as Borrowed Life) in 1959 before appearing as a book in 1961 and was made into the 1977 movie Bobby Deerfield. The Night in Lisbon (Die Nacht von Lissabon), published in 1962, is the last work Remarque finished. The novel sold some 900,000 copies in Germany and was a modest best-seller abroad as well.^{[citation needed} Marriages

His first marriage was to the actress Ilse Jutta Zambona in 1925.^[6] Their marriage was stormy and unfaithful on both sides. After a divorce, they remarried each other in 1938. They divorced again on May 20, 1957, this time for good. Remarque married actress Paulette Goddard the next year (1958). Ilse Remarque died on June 25, 1975.^{[citation needed]}

Remarque and Goddard remained married until his death in Locarno on 25 September 1970, aged 72.^[7] He was interred in the Ronco cemetery in Ronco, Ticino, Switzerland. Goddard died in 1990 and was interred next to her husband. She left a bequest of $20 million to New York University to fund an institute for European studies, which is named in honor of Remarque. The first Director of The Remarque Institute was Professor Tony Judt. Remarque's papers are housed at NYU's Fales Library.^{[citation needed]} NYU also named an undergraduate dormitory building after her: Paulette Goddard Hall.

Scritotri dimenticati:Franz Werfel

Franz Werfel (Praga, 10 settembre 1890 – Los Angeles, 26 agosto 1945) è stato uno scrittore e drammaturgo austriaco, di origine ebrea, nato nell'epoca dell'impero austro-ungarico.

Contemporaneo e collega di altri intellettuali ebrei e autori come Franz Kafka, Max Brod e Martin Buber, si sposò nel 1929 con Alma Schindler, vedova del compositore Gustav Mahler, che per lui divorziò dall'architetto Walter Gropius^[1]. La fama letteraria gli venne nel 1933 con la pubblicazione de I quaranta giorni del Mussa Dagh, vero e proprio racconto epico della resistenza armena e del genocidio di quel popolo ad opera dei Turchi.

Appartenente alla corrente espressionistica fin dagli anni immediatamente antecedenti la prima guerra mondiale, esordì con dei volumi di liriche, "L'amico del mondo" (del 1911) e "Noi siamo" (del 1913). Allo scoppio del conflitto mondiale, nonostante la sua indole votata al pacifismo, si arruolò nell'esercito austriaco per combattere sul fronte russo e servire in mansioni di ufficio stampa.

Successivamente, terminata la guerra, si trasferì a Vienna e quindi, con l'Anschluss, in Francia. Nel timore di una espansione del nazismo, scelse - all'inizio della seconda guerra mondiale - di trasferirsi definitivamente in USA, dove vivrà fino alla morte.

Fra le opere di Werfel - letterato attratto in particolare dal teatro - si ricordano, oltre ai romanzi Il colpevole non è l'assassino, ma la vittima (1920), I quaranta giorni del Mussa Dagh (1933), Nel crepuscolo di un mondo (1937) e Una scrittura femminile azzurro pallido (1955), i drammi storici Juarez e Massimiliano (del 1924) e Jacobowsky ed il colonnello (scritto poco prima della morte).

Il cineasta Henry King trasse nel 1943 dal suo "Poema di Bernadette", biografia della santa di Lourdes (scritto due anni prima e nel quale lo scrittore manifesta le sue simpatie verso il Cattolicesimo) un film di grande impatto emotivo e successo popolare.

Scrttrici dimenticate:M.Alinda Bonacci Brunamonti

u la primogenita di Teresa Tarulli di Matelica e di Gratiliano Bonacci, nativo di Recanati, insegnante di retorica nel perugino Collegio della Sapienza, autore delle Nozioni fondamentali di estetica,^[1] il quale curò personalmente la sua istruzione di indirizzo classico.

Con l'incoraggiamento della madre, devota cattolica, iniziò giovanissima a comporre versi di carattere religioso, dati alle stampe nel 1856 con il titolo Canti e dedicati a Pio IX. Nel 1854 la famiglia fu costretta a lasciare Perugia per motivi politici, trasferendosi prima a Foligno e poi a Recanati: in questo periodo compose versi di ispirazione leopardiana, i Versi campestri, pubblicati nel 1876. La ripresa del movimento risorgimentale e la repressione pontificia della rivolta di Perugia del 20 giugno 1859 le ispirò i versi patriottici e anti-pontifici dei Canti nazionali, editi a Recanati nel 1860. In quell'anno, la Bonacci fu l'unica donna ammessa eccezionalmente a votare per il plebiscito di conferma dell'annessione delle Marche e dell'Umbria al Piemonte.

Dal 1868, dopo il matrimonio con Pietro Brunamonti, di Trevi, docente di filosofia del diritto nell'Università di Perugia - da cui ebbe due figli, Beatrice, nata il 2 aprile 1871, e Fausto, morto a soli cinque anni il 25 giugno 1878 - stabilì la sua residenza a Perugia. Ebbe l'amicizia di intellettuali italiani, in particolare di Giacomo Zanella, di Andrea Maffei e di Antonio Stoppani, con il quale studiò scienze naturali.

Influenzate dallo Zanella sono le successive poesie, di carattere didascalico e con accenti religiosi: Nuovi canti (1887), Flora (1898), appesantite «da un'intonazione etico-riflessiva irrimediabilmente provinciale».^[2] Migliori si rivelano i Discorsi d'arte (1898) e i Ricordi di viaggio, pubblicati postumi.

Un ictus, che la colpì nel 1897, le impedì di scrivere fino alla morte, avvenuta nel 1903.

Scrittrici dimenticate:Ada Leverson

Ada Leverson (née Beddington; 10 October 1862 – 30 August 1933) was a British writer who is now known primarily for her work as a novelist.

She began writing during the 1890s, as a contributor to Black and White, Punch, and The Yellow Book. She was a loyal friend to Oscar Wilde, who called her Sphinx. She was a wit, and a friend of Max Beerbohm; her writing has been compared to Beerbohm's, and the stories of Saki.

She was also a friend of George Moore; Osbert Sitwell in Great Morning has an anecdote in which she tries, unsuccessfully, to get Moore to see the young William Walton. Of the Sitwells' circle – Sacheverell Sitwell dedicated a poetry collection to her, while she was hopelessly in love with Osbert – she lived out her old age in the Hotel Porta Rossa in Florence.