Il labirinto

Scrittrici dimenticate:Nathalie Sarraute

Nathalie Sarraute, pseudonimo di Natacha Tcherniak (Ivanovo, 18 luglio 1900 – Parigi, 19 ottobre 1999), è stata una scrittrice francese di originerussa. Stabilitasi a Parigi dopo un'infanzia trascorsa fra Russia, Francia e Svizzera e soggiorni di studio in Inghilterra e Germania, intraprese la professione di avvocato. I suoi due primi libri, Tropismes (Tropismi, del 1939) e Portrait d'un inconnu (Ritratto d'ignoto, del 1948), passarono quasi inosservati ma, ristampati nel 1956-1957, suscitarono grande interesse, grazie anche ad una presentazione di Jean-Paul Sartre.

Nel saggio L'ère du soupçon (L'età del sospetto, del 1956), la Sarraute chiarisce le fonti della sua ricerca narrativa (Fedor Dostoevskij, Franz Kafka, Ivy Compton-Burnett), imperniata sull' esplorazione di moti psicologici al limite dell'inconscio (i cosiddetti tropismi e la famosa sotto-conversazione).

La Sarraute ha usato nelle sue opere un dialogo lucido, controllatissimo, e la sue commedie, piene di intuizioni felici, sono ricche di una gustosa vena satirica^{[senza fonte]}.

Nel 1964 le è stato conferito il Prix International de Littérature.

Scrittrici dimenticate:Marie Under

Estonian poet, generally considered among the greatest poets of the 20th-century in her language. Under escaped with her family in 1944 the Soviet occupation of Estonia to Sweden, where she spent in exile the rest of her life. Under's works have been translated into some ten languages.

Ei rannal lesi 
nüüd enam keegi, 
ei ükski hing. 
Ja parem seegi. 
Vaid kivid ja vesi 
ning ainsad jäljed veab minu king. 
(from 'Üksi merega')

Marie Under was born in Tallinn, the daughter of Fredrich Under, a schoolteacher, and Leena (Kerner) Under. She learned to read at the age of four and began to writing verse at the age of thirteen. From 1891 to 1900 she attended a private German-language school, studying German, French, and Russian. Later Under translated new German poetry, Schiller, Goethe in Estonian, and also such writers as Pär Lagerkvist and Boris Pasternak. Under worked briefly as a salesclerk in a bookstore, but after meeting the writer Eduard Vilde, she joined for a short time the radical newspaper Teataja. In 1902 Under married Carl Hacker, an accountant, and moved with him near Moskow. From 1902 to 1906 she lived in Russia; her two daughter were born there. In 1913 Under met in the Estonia Theater Artur Adson (1889–1977), a young poet, whose encouragement and support was crucial for her literary development. After divorcing Hacker, she married Adson, who later wrote her biography (pub. 1974).

Under's first poem appeared in the newspaper Postimees when she was 21. In the 1910s Under contributed to various anthologies and made in 1917 her debut as a writer with a collection of sonnets, Sonetid. With this work, a declaration of youthful love, longing for beauty, and joy of life. Her second collection, Eelõitseng (1918), consisted of poems written between 1904 and 1912.

Under was the central member of the "Siuru" group, which advocated on the eve of Estonian independence new literary movements, such as expressionism and futurism. Her early work were more or less impressionistic pieces, but she soon found her voice in emotional, dynamic way of expression that had much bold freshness. Her most sensual collection of poems, Sinine puri (1920), with its celebration of erotic love, defied boldly bourgeois conventionality and made her the best-known representative of the Estonian neoromantic poetry.

After World War I Under's poems became more pessimistic. Especially German expressionism influenced her deeply. Under employed religious images to convey her feelings of pain, delirium, and suffering - a dark angel of death comes to the door as a gate-crasher, prophets stumble over words, Noah's arch sails into the flood and rain.

'Unetuma laul,' about insomnia, from which Under suffered sporadically throughout her life, is one her most anthologized works. "Even an executioner can have a peace," the "I" of the poem realizes tormented, and wanders restlessly in clogs with a ghost dog. The whole world has fallen asleep, the poet, like a guard, is the only one awake, seeking release. Under paralles sleep with death and beds with coffins. The poems ends with a resignation: sleep comes only after giving up everything, in the calm rest under the ground.

Kuhugille, kuhugille ma ei mahu! 
Olen ma ehk ... peni, vend ...
Kumb meist, kumb meis somnambuul? 
(from 'Unetuma laul' in Hääl varjust, 1927)

Õnnevarjutus (1929), in which Under returned to ballad lyrics, is considered among her central works. Under used traditional themes from folk poetry, mostly tragic love, but brought into them solemn timelessness, seeing human yearning for happiness always shadowed by unavoidable doom, generation after generation. Dark visions of frozen waters and chained wind, contrasted to short moments of happiness, being alive, were central also in her tenth collection, Kivi südamelt (1935).

Under's financial problems were greatly relieved after the National Fund for Culture decided to give her permanent support. In 1937 Under became an honorary member of International PEN. During the early years of World War, when Estonia was taken over by the USSR and then occupied by the Germany, Under wrote about the suffering and the resistance of her people in Jõulutervitus (1941) and Mureliku suuga (1942). Like many established writers of the older and middle generation, such as Johannes Aavik (1880-1973), Gustav Suits (1883-1956), Karl Rumor (1886-1971), Karl Ristikivi (1912-1977), Under chose emigration over life under Soviet rule. From 1945 to 1957 she worked as an archivist in the Stockhom's Theatre Museum. Her first collection of poetry in exile, Sädemed tuhas, appeared in 1954, and was followed by Ääremail (1963). Under's later poetry was marked with philosophical observations of life and nature, and her metaphysical, visionary introspection. In several poems Under dealt with feelings of rootlessness and homesickness, without mentioning the name of her home country. In this humane patriotism Under's work exceeded nationalistic or political boundaries.

Because of heavy arthritis, Under spent her last years at a Convalescent Care Hospital. She died on September 25, 1980, in Stockholm. Under was mistakenly cremated against her wish. As an emigrant writer, she did not enjoy in Estonian Soviet Socialist Republic official favor, although she was removed in the 1950s from the list of banned authors, and her eightieth birthday was noted also in the former Soviet Estonia. Under's literary fame survived the political upheavals of the Cold War and as a sign of this, the Under and Tuglas Center for Literary Research has been founded in the house where Under worked in the 1930s.

Scrittori dimenticati:Cyril Collard

Cyril Collard (Parigi, 19 dicembre 1957 – Parigi, 5 marzo 1993) è stato uno scrittore, regista, attore e compositore francese.

Collard è noto per le sue descrizioni artistiche - esposte senza alibi - di bisessualità e HIV, soprattutto nel suo romanzo e poi film autobiografico Le Notti selvagge (Les nuits fauves).

Dichiaratamente bisessuale, Collard è stato anche uno dei primi artisti francesi a parlare apertamente della sua condizione di sieropositivo.

Scrittori dimenticati:Seumas O'Kelly

Scrittore e giornalista irlandese,simpatizzante del Sinn Fein,partecipò all'Easter Rising del 1916 e venne incarcerato.Morì nel 1918,in seguito alle brutali percosse di soldati inglesi che avevano fatto irruzione nel suo giornale per festeggiare la vittoria.

Ritratti di donna:Rebecca Salomè Foster

Sei (Boye)

Sei la mia consolazione più pura,

sei il mio più fermo rifugio,

tu sei il meglio che ho

perché niente fa male come te.

No, niente fa male come te.

Bruci come ghiaccio e fuoco,

tagli come acciaio la mia anima –

tu sei il meglio che ho.

Libri dimenticati:La biblioteca dei libri proibiti

Bel romanzo di Harding,che ha come protagonista una ragazzina di dodici anni.Ricorda "Giro di vite"di James

Frase delgiorno

Idiota:membro di una grande e potente tribù che da secoli ha dominio assoluto sulle vicende umane (Bierce)