Messaggi del 09/08/2012

Scrittori dimenticati:Frans Eemil Sillanpaa

Post n°3405 pubblicato il 09 Agosto 2012 da odette.teresa1958

Frans Eemil Sillanpää was born on the 16th of September, 1888, at Ylä-Satakunta in the Hämeenkyrö Parish of Finland on a desolate croft of the same name. The cottage had been built by his parents, his father Frans Henrik Henriksson, who had moved there some ten years before from Kauvatsa in the Kumo Valley, and his mother, Loviisa Vilhelmiina Iisaksdotter, whose family had lived in the Hämeenkyrö Parish from times immemorial.

Sillanpää's parents had experienced all the trials and tribulations common to generations of settlers in those parts of Finland. Frosts had killed their seeds, farm animals had perished, and the farmer's children, too, had died, until only Frans Eemil, the youngest of the offspring, was left.

There was only a mobile school for the farm children, and it was purely by accident - young Sillanpää's life was to abound in accidents - that the crofter's son, who was regarded as a bright lad, came to attend a regular school where he displayed a real aptitude for learning. Some idealists decided that nothing less than a secondary school at Tampere would do and, after giving the matter some thought, old Sillanpää consented to send his son away. For five years, Sillanpää's parents pinched and scraped to keep their son in school, after which he supported himself for another three years and, in 1908, matriculated with good marks. This was a time in Finland when a promising young man could study almost indefinitely on borrowed money, and young Sillanpää was not slow to avail himself of this miscarriage of educational zeal. He plunged into learning and his studies were as chaotic as they were long drawn-out. He did, however, choose biology as his basic subject and worked hard in the laboratory, cutting up things, studying them under the microscope, and drawing what he saw until, one fine day, he woke up to find that five years had gone by; his examination day was still far off and the kind old gentlemen who had been lending him money were not prepared to do so any longer. He scraped together enough cash to return to his home, where he found his father and mother poorer than ever. He lived in their hut and shared their meals, which could hardly excite a gourmet's palate.

His student days were over, his amorous escapades a thing of the past, but at least it was easy enough for him to start from nothing. Sillanpää acquired at a nearby village shop some stationary of the type favoured by village lads for private correspondence and wrote a short story, which he sent to the editor of a large city paper without much hope of seeing it published. To use an expression popular in those days, the story must have been written with his heart's blood because, after a very short time, it appeared on the front page of the aforesaid paper and its author received a very handsome letter from the editor's secretary, as well as his fee, which was more than welcome. The story had been published under a pen name but the literary world of Helsinki soon discovered the identity of the author and the erstwhile eternal scholar found himself, to his amazement, receiving letters of extravagant praise. After several more of his stories had been published in the same paper, something very unusual happened. He was approached by a wellknown publisher who asked to be borne in mind should Sillanpää's literary output stretch to a whole book. The publisher went so far as to offer him a reasonable advance to enable him to work in peace.

Yet another wonder - one of a series - occurred at that time. At an unimportant village dance, Sillanpää met a shy seventeen-year-old girl who, insisting that she could not dance, sat far at the back of the dance hall. In spite of her resistance, Sillanpää dragged her out onto the dance floor to discover that she could dance after all, which she proceeded to do with the utmost seriousness and concentration. This was the beginning of a twenty-five-year saga, during which Sigrid Maria (for such was the name of the seventeen-year-old girl) bore Sillanpää eight children, one of whom died. Mrs. Sillanpää died on an April morning in 1939. In early November, the widower who, six months earlier, had been in deep mourning, was standing before the mayor of Helsinki being asked if he would take Anna Armia von Hertzen to be his wedded wife, to love her, and so on. To this, Sillanpää replied with obvious eagerness, nor was Anna Armia's «yes» a timid whisper. Some days before a telegram had come from the Secretary of the Swedish Academy telling Sillanpää that he had been awarded the Nobel Prize in Literature. A new point had been reached in the long series of wonderful events with which Sillanpää's life has been punctuated. As for the changes which may have occurred in it since that memorable event, they are, historically speaking, too recent to be worth recording. May his autobiography, therefore, end with this red-letter day.

It should perhaps be added that, in 1936, the University of Helsinki conferred on Sillanpää an honorary doctorate.

Books published by Sillanpää, of which The Maid Silja in particular has been translated into nearly every civilized language from Icelandic to Hebrew, are:

Elämä ja aurinko (1916) [Life and Sun]
Ihmislapsia elämän saatossa (1917) [Children of Man in Life's Procession]
Hurskas kurjuus (1919) [Meek Heritage]
Rakas isänmaani (1919) [Beloved Fatherland]
Hiltu ja Ragnar (1923) [Hiltu and Ragnar]
Enkelten suojatit (1923) [Wards of the Angels]
Omistani ja omilleni (1924) [About my Own and to my Own]
Maan tasalta (1924) [From the Earth's Level]
Töllinmäki (1925) [Shanty Hill]
Rippi (1928) [Confession]
Kiitos hetkistä, Herra... (1930) [Thanks for the Moments, Lord ...]
Nuorena nukkunut (1931) [The Maid Silja]
Miehen tie (1932) [A Man's Way]
Virranpohjalta (1933) [From the Bottom of the Stream]
Ihmiset suviyössä (1934) [People in the Summer Night]
Viidestoista (1936) [The Fifteenth]

 

Biographical note on Frans Eemil Sillanpää

After 1939, Sillanpää (1880-1964) wrote the novels Elokuu (1944) [August] and Ihmiselon ihanuus ja kurjuus (1945) [The Loveliness and Wretchedness of Human Life]. An account of his life, Poika eli elämäänsä [The Boy Lived His Life], based mainly on the Finnish radio broadcasts of his memoirs, was published in 1953. A collection of his political and social essays and his travel accounts came out in 1956 under the title Päivä korkeimmillaan [Day at its Highest].

Sillanpää's family name was Koskinen and was later changed to Sillanpää. His collected works were published in twelve volumes between 1932 and 1948.

 

 

Frans Eemil Sillanpää died on June 3, 1964.

 
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Scrittori dimenticati:Wilfred Owen

Post n°3404 pubblicato il 09 Agosto 2012 da odette.teresa1958

Wilfred Owen, the son of a railway worker, was born in Oswestry, on 18th March, 1893. Educated at the Birkenhead Institute and at Shrewsbury Technical School, he worked as a pupil-teacher at Wyle Cop School while preparing for his matriculation exam for the University of London. After failing to win a scholarship he found work as a teacher of English in the Berlitz School in Bordeaux.

Although he had previously thought of himself as a pacifist, in October 1915 he enlisted in the Artists' Rifles. Commissioned as a 2nd Lieutenant, he joined the Manchester Regiment in France in January, 1917. While in FranceWilfred Owen began writing poems about his war experiences.

In the summer of 1917 Owen was badly concussed at the Somme after a shell landed just two yards away. After several days in a bomb crater with the mangled corpse of a fellow officer, Owen was diagnosed as suffering fromshell-shock.

While recovering at Craiglockhart War Hospital he met the poet Siegfried Sassoon. Owen showed Sassoon his poetry who advised and encouraged him. So also did another writer at the hospital, Robert Graves. Sassoon suggested that Owen should write in a more direct, colloquial style. Over the next few months Owen wrote a series of poems, including Anthem for Doomed YouthDisabledDulce et Decorum Est andStrange Meeting.

Sassoon introduced Owen to H. G. Wells and Arnold Bennett and helped him get some of his poems published in The Nation. Owen also had talks with William Heinemann about the publication of a collection of his poems.

In August 1918 Owen was declared fit to return to the Western Front. He fought at Beaurevoir- Fonsomme, where he was awarded the Military Cross. Wilfred Owen was killed by machine-gun fire while leading his men across the Sambre Canal on 4th November 1918. A week later the Armistice was signed. Only five of Owen's poems were published while he was alive. After Owen's death his friend, Siegfried Sassoon, arranged for the publication of his Collected Poems (1920).

 
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Scrittrici dimenticate:Jeanne Bourin

Post n°3403 pubblicato il 09 Agosto 2012 da odette.teresa1958

Nata nel 1922 e morta nel 2003,è una scrittrice francese specializzata in romanzi storici.

Ricordiamo:La camera delle signore, Io Abelardo amavo Eloisa,Amante reale.

 
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Scrittrici:Nadine Gordimer

Post n°3402 pubblicato il 09 Agosto 2012 da odette.teresa1958

Nadine Gordimer, nata a Springs, una cittadina vicino a Johannesburg in Sudafrica, figlia di un ebreo russo e di una ebrea inglese, ha dedicato la propria vita tanto alla letteratura quanto alla lotta contro l'apartheid. Con la sua opera, spesso bandita in patria, e con un'ininterrotta attività culturale, sociale e politica, ha rappresentato una vigile presenza critica all'interno del suo sofferente paese. Oltre a numerosissimi premi, tra cui il Booker Prize, è stata insignita nel 1991 del premio Nobel per la letteratura, e ricopre la carica di Goodwill Ambassador of the United Nations

 
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Ritratti di donna:Berthe Morisot

Post n°3401 pubblicato il 09 Agosto 2012 da odette.teresa1958

Nata nel 1841 a Bourges, Berthe Morisot, dopo un'infanzia passata in provincia, dal 1855 abita a Passy. Ben presto mostra di avere un certo dono per la pittura per cui ha un vivo interesse. Nel 1857, con le due sorelle, segue i primi corsi di disegno nell'atelier di un certo Chocarne e poi in quello più qualificato di Joseph Guichard, allievo di Ingres e di Delacroix. Questo nuovo insegnante incoraggia Berthe e sua sorella Edma a copiare i capolavori del Louvre (è opportuno ricordare che l'Ecole des Beaux-Arts accetterà le donne solo a partire dal 1897). Berthe invece sogna di dipingere paesaggi e di abbandonare la pittura di atelier e gli accademismi della tradizione. Guichard, allora, le presenta Camille Corot e le due sorelle cominciano a lavorare con lui "sul motivo", a diretto contatto con la natura. Corot si rivela un maestro esigente e le affida poi ad Achille Oudinot, che, a sua volta, le introduce nell'atelier di Charles Daubigny. Espongono, quindi, per la prima volta al Salon del 1864, anno in cui, in occasione delle vacanze in Normandia, si accostano al pittore Léon Riesener, di cui Berthe Morisot apprezza i consigli illuminati.

 
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Nell'abisso (?)

Post n°3400 pubblicato il 09 Agosto 2012 da odette.teresa1958

Ora come non mai e mai come unica condizione di vita.
Quale vita che esista io non possa avere. Eppur mi sento come un angelo caduto che fatica a rialzarsi.
Quelle ali così bianche macchiate del tuo sangue, tale da farmi vivere in eterno.
Così mi ritrovo a scrivere ancora un verso, e uno dopo l'altro ve li cedo a patto che voi, fratelli e sorelle abbiate la forza di ritornare com'eravamo cento anni or sono...

...e nelle notti desolate mi accingo a ritrovare la mia sorte, perduta che fu in quelle terre desolate e prive di compassione... 
Ancora adesso mi sembra di ascoltare quella pallida luna di tanti anni fa, che declama la sua vittoria sulla regina delle madri e la figlia del peccato. Posso solo restarmene seduto e contemplare tale conflitto, esultando a volte, mentre altre chiudendo gli occhi cercando di ricacciar via una lacrima furtiva.
Chi siamo noi veramente? Un riflesso che lo specchio non può rappresentare, un mattina che mai arriverà... 
Forse nell'abisso noi siamo i re... 
Re dimenticati e schiavi dell'abbraccio... 

 
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Libri dimenticati:Nureyev

Post n°3399 pubblicato il 09 Agosto 2012 da odette.teresa1958

Bellissima biografia di Rudolf Nureyev,da leggere d'un fiato

 
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Frase delgiorno

Post n°3398 pubblicato il 09 Agosto 2012 da odette.teresa1958

Che Dio sia morto o non è impossibile non parlarne:c'è stato per tanto tempo! (Canetti)

 
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