I suppose all of us hover between two ways of regarding death, which appear to be in hopeless contradiction with each other. First there is the familiar and instinctive recoil from it as embodying the supreme and irrevocable disaster... But, then, there is another aspect altogether which death can wear for us. It is that which first comes to us, perhaps, as we look down upon the quiet face, so cold and white, of one who has been very near and dear to us. There it lies in possession of its own secret. It knows it all. So we seem to feel. And what the face says in its sweet silence to us as a last message from one whom we loved is: ’Death is nothing at all. It does not count. I have only slipped away into the next room. Nothing has happened. Everything remains exactly as it was. I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used. Put no difference into your tone. Wear no forced air of solemnity or sorrow. Laugh as we always laughed at the little jokes that we enjoyed together. Play, smile, think of me, pray for me. Let my name be ever the household word that it always was. Let it be spoken without an effort, without the ghost of a shadow upon it. Life means all that it ever meant. It is the same as it ever was. There is absolute and unbroken continuity. What is this death but a negligible accident? Why should I be out of mind because I am out of sight? I am but waiting for you, for an interval, somewhere very near, just around the corner. All is well. Nothing is hurt; nothing is lost. One brief moment and all will be as it was before. How we shall laugh at the trouble of parting when we meet again!’ So the face speaks. Surely while we speak there is a smile flitting over it; a smile as of gentle fun at the trick played us by seeming death...’
Death is nothing at all (Henry Scott Holland)
I suppose all of us hover between two ways of regarding death, which appear to be in hopeless contradiction with each other. First there is the familiar and instinctive recoil from it as embodying the supreme and irrevocable disaster... But, then, there is another aspect altogether which death can wear for us. It is that which first comes to us, perhaps, as we look down upon the quiet face, so cold and white, of one who has been very near and dear to us. There it lies in possession of its own secret. It knows it all. So we seem to feel. And what the face says in its sweet silence to us as a last message from one whom we loved is: ’Death is nothing at all. It does not count. I have only slipped away into the next room. Nothing has happened. Everything remains exactly as it was. I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used. Put no difference into your tone. Wear no forced air of solemnity or sorrow. Laugh as we always laughed at the little jokes that we enjoyed together. Play, smile, think of me, pray for me. Let my name be ever the household word that it always was. Let it be spoken without an effort, without the ghost of a shadow upon it. Life means all that it ever meant. It is the same as it ever was. There is absolute and unbroken continuity. What is this death but a negligible accident? Why should I be out of mind because I am out of sight? I am but waiting for you, for an interval, somewhere very near, just around the corner. All is well. Nothing is hurt; nothing is lost. One brief moment and all will be as it was before. How we shall laugh at the trouble of parting when we meet again!’ So the face speaks. Surely while we speak there is a smile flitting over it; a smile as of gentle fun at the trick played us by seeming death...’