Creato da lifewlifew il 15/04/2014

The nexus juicy couture bags of a tangle of electrical

Post n°6 pubblicato il 18 Aprile 2014 da lifewlifew

Magazine article The nexus juicy couture bags of a tangle of electrical cords and wires, the booth hides the sound and lighting equipment that will run today's show.Michael mcconkey, krier's subcontractor for production design, hits the"Go" Button on an expression etc computerized light board to activate the preset lighting cues.He watches four monitors for lighting placement and levels.Mcconkey communicates with krier(And anyone else working in and around the tent from the rest of the lighting and sound team to the backstage managers)Through the two channels on his headset and 14 more on a separate walkietalkie.Once the lights are ready, mcconkey repeats the program with the audio engineer mixing digital tapes on a yamaha machine until the timing is perfect. Backstage, one by one, the models begin to drift in, dressed in casual street clothes and link warm coats but still obviously skinnier than anyone ever seen outside a"Save the children"Commercial.As each model arrives, krier guides her down the runway to review each turn, stop, and pose on the catwalk.Through the headsets, a pr person notifies krier of a lastminute, unscheduled guest arrival.Although the seating placards are attached to the seats manually with loops of masking tape, the seating chart itself is assembled and maintained fully on computers.One of krier's staffers flips open her laptop and pulls up a database program, which contains critical information on more than 100, 000 people essentially, the complete social register of the fashion industry.Within minutes, a new seating card slides out of her tiny canon color bubble jet printer.She grabs it and rushes to the front. At 10 minutes past 11, the guests flood in.A throng of reporters, highlighted by a piercingly bright camera light, clamors after socialite ivana trump, herself a confection of fur and platinum hair.After 10 minutes of mingling, seeing, and being seen, the crowd settles.From the front corner of the production booth, krier signals the first cue into his headset.The lights dim.Then, in one perfectly synchronized moment, the lights relight in full, the music starts, and a model takes the first step down the runway. Krier prompts each model remotely through his headset.As the production crew members hear his signals, they cue the music and activate the lighting program.After the last"Look"Has its turn on the runway, herrera steps out for a short moment of recognition and applause.Once she retreats backstage, the audience stands, and several people crowd the runway entrance for a chance to congratulate her.The show has been a success.In the production booth, just 25 minutes after the first cue, a satisfied krier hands out cigarettes to the production crew. Early on, a budget was established.Just one fashion show can cost anywhere from $200, 000 to $1 million to produce, depending largely on which models are involved.Regardless of how many technical gimmicks the designer chooses to incorporate, highpriced supermodels like linda evangelista and amber valletta turn talent into the greatest production expense.As herrera and krier developed new ideas for the runway, krier incorporated them into the program.Krier then showed the resulting images to herrera, and the process was repeated until they at last agreed on a cheap juicy couture tracksuits final design.The pair was able to finetune the details and actually see their changes as they made them before hammering the first nail.