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everybody from grandparents

Post n°1 pubblicato il 15 Gennaio 2014 da lluggg448

Da Oral History of Da Butt

So what was it about that tune? As it happens, "Da Butt" wasn't created in the way gogo is typically created, wasn't entirely written by gogo musicians, and wasn't even recorded in the District. To some critics, all of this means gogo's greatest hit wasn't actually gogo at all. Those academic arguments, though, are a bit late: The song has moved from movie screen and radio to clubs, parties, weddings, bar mitzvahs, talent shows, and sporting events. And yeah, they still play it in the gogo, too.

Johnny Mercer, entertainment attorney, former lawyer for EU: Charles [Stephenson], [gogo impresario] Maxx [Kidd] and I, together with Sugar Bear from EU, we got together and put together these little innovations to get their music going. music, even though it was underground. One of those people was Chris Blackwell, the head of Island Records [and producer of the reggae film The Harder They Come]. At that time, Island Records was big into doing the reggae thing. Chris has gotten them to where they were and he felt gogo would be the next big thing. Which is called Short Fuse now. Good to Go was supposed to break gogo open. These British people came in to do it, and it misfiredthey were looking at it through their own racist, colonial frame, and it didn't work. But, at the same time, I think Spike Lee was signed to Island Films, and was supposed to do School Daze under Island Films, right around the time that Good to Go flopped. He was dropped by Island Filmsthey didn't believe Spike could pull off a musical the way he wanted to do it. Columbia Films picked up the project and [Lee] still stuck with gogo. It's ironic [the Island] project failed so miserably, and then [Lee] took a little piece of it and it worked the way it did. Chris Blackwell, indirectly, led to this happening. Super Bowl Marshawn Lynch Jersey

Mercer: [After Good to Go], I was upset with Chris Blackwell, not just because Good to Go was a bad movie, but because he wasn't promoting it. Chris has worked with Spike Lee around She's Gotta Have It. I didn't know anything about Spike Lee and I couldn't care less. I was concerned about our film. talking about Spike Lee and I said, "I don't give a damn about Spike Lee. and at my law office and, well, guess who called me on the phone? Spike Lee.

Hammond: Maiseha was doing the '70s thing, which my generation loves. Members from EU were doing it, and then everybody's saying, "Wait a minute, these cats still sound good!" Maybe they were Marshawn Lynch Jersey just at the mature stage before we got there. But that's how they were able to recapture it. And they're still doing it. They have their market. I have people telling me, "Sugar Bear and them crankin'." Now they can play "Da Butt," and it's one of our songs again, a song everybody from grandparents to kids loves.

Who is Hopkinson? He doesnt seem to know much about what Go Go is in my opinion. Chuck Brown put Bustin Loose out in 1979 it hit all over the world. and very big in New York. Trouble Funk put out Pump Me Up in 1982 and that was one of the biggest DJ battle tracks and was sampled a lot Marley marl used in for Dimples D's song Sucker MC and Sugar Hill Records bought the Master for Grand Master Flash's version. Da Butt was a Go Go www.nflseahawksofficialstore.com/24+Marshawn+Lynch+Jersey+Cheap.html record. Ju Ju is Go Go. marcus Miller followed his lead. And Rare Essence did production on Grace Jones Slave To The Rhythm, and Kurtis Blow's tribute to Go Go Music "Party Time". Go Go had a huge influence on Rap Music. Before Rap was recorded on wax NY MC's use to rap over EU groove's. how many dumb ass reviews are going to come out before some one gets it right!

 
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