arte e dissenso

Maurizio Baldrini last productions 2003 are plates with decoscritture or concrete poetries

prepared for the Amsterdam extemporaneous exhibitions.

The plate offered as a mental food container proposes a cultural food that invites to abashment.

It invites to reflect on the cultural food we daily ingest: conflicting and confused information.

Medias give information that are continually rejected in a constant, eternal dualism symbolizing

That we are what we eat that is to say that we are the result and elaboration of our lives.ontradiction

Contradiction wraps us, non-sense reigns and govern.

War/no war, say/non say, true/false 1/0:

This is the language of our digital times.

My last work of situazionism or concrete poetry (my our presence) is the Dadaist text of cultural

Dissociation authenticated with the stamps of the greatest Amsterdam Museum.

This testifies the utopia of an artist in places where artists exhibit themselves.

30 june-1 july 2003 Amsterdam Poetical Dissociation.

The full sense of this action is the situation in a conceptual gesture.

In the greatest Amsterdam Museum i was an artist in artistis places who told his own utopia

Both as a man and as an artist . The stamps at the end of my work and the photos are hre proof.

My presence gives power to the gesture and to the intention.

Dada poetry, which composes the dissociation/association message, says

“I’m free to do it” and this sentence is self explanatory.

I wish to underline that my dissociation happens at the beginning of the Italian six month period in UE

In the 150^th anniversary of Van Gogh birth, during a global period of contradiction and contingency

Aware that this won’t change my life, I continue with coherence my research as a dissociated artist who doesn’t

Recognize the art system and the incompetents who manage culture.

I’m an artist who wants to do what he feel without mediation.

I’m free to do it

Maurizio baldrini

Luglio 2003