Mondo Jazz
Il Jazz da Armstrong a Zorn. Notizie, recensioni, personaggi, immagini, suoni e video.
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martedì 9 ottobre 2018 alle 20.30
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L'INTERVISTA DEL NEW YORK TIMES A ZORN E METHENY
Post n°2818 pubblicato il 20 Maggio 2013 da pierrde
L'album di Metheny è uscito in tutto il mondo, le reazioni e le recensioni (compresa la mia) oramai fioccano su diversi siti e magazine. Nate Chinen, critico musicale del NYT non perde l'occasione e riesce ad intervistare congiuntamente i protagonisti dell'album del mese (e forse anche più). Ecco la prima parte dell'intervista con il link per la lettura integrale:
At first glance, Pat Metheny and John Zorn might seem to come from different planets. Mr. Metheny, 58, is a guitarist whose music has resonated broadly throughout jazz and instrumental pop, a dazzling virtuoso with a warm human touch. Mr. Zorn, 59, is a saxophonist of firm avant-garde conviction, a natural polarizer and provocateur.(....) Q. How were these six compositions chosen for the album? ZORN Each record in the “Book of Angels” series is meant to be unique in terms of the compositions. On all the records, and there’s 20 of them now, I chose the pieces. There was just some kind of second sense, where I’d say, “I can hear Pat working on this.” Q. My impression of the Book of Angels is that it involved a feverish and solitary period of composition, followed by a kind of release into the world. ZORN Creating the second “Book,” I describe it as a flow. Because the first “Book” was carved out of rock. The first “Book” took years, because a new language was created. And then I played those pieces for 10 years, and became proficient in that language, and it started to flow. But there’s a craft involved in addition to pure inspiration, and that’s something also I really admire about Pat, is his sense of craft. METHENY I’m always inspired when there’s a robustness to the material in front of me. I took John’s notes and they inspired me to do a million things. Some of which was on the page, some of which was improvised, some of which I don’t know exactly what it is. What I look for in musicians is a sense of infinity. Within this world, you could go forever.
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