Mondo Jazz

...BUT CAN SHE PLAY ? LE DONNE E IL JAZZ

“…but can she play? is the first feature-length documentary centered on the lives and music of women sax and brass players who are challenging gender biases and influencing the transformation of contemporary American jazz.

The film spotlights such acclaimed talents as saxophonists Hailey Niswanger, Tia Fuller, Claire Daly, Lauren Sevian; trumpeters Linsey McDonald, Crystal J Torres, Christine Fawson; trombonists Robynn Amy, Aubrey Logan, Jennifer Wharton and Stephanie Baird — women who juggle their lives as wives, mothers and teachers while pushing themselves, and their art, on the road, on the stage and in the classroom.

One of the goals of this documentary is to encourage girls towards careers in jazz and to support organizations and programs that provide jazz and music programs for students in underprivileged schools where funding for music education is lacking or non-existent.

E a proposito di donne e jazz, Musica Jazz dedica il numero di marzo 2014 alla sempre maggiore presenza femminile nel jazz contemporaneo alle donne «che stanno cambiando il jazz», come indica con chiarezza lo strillo di copertina. È un’iniziativa che intende offrire una panoramica il più possibile ampia, seppure incompleta, dell’argomento (la presenza delle donne nel jazz è per fortuna ormai tale da richiedere, per trattarla a fondo, ben altro che le 100 pagine del mensile).

POCHE PAROLE PER RICORDARE MICHAEL, CHE IERI AVREBBE COMPIUTO 65 ANNI

...for Bret's favorite MIchael Brecker videos. Michael Leonard Brecker (March 29, 1949 -- January 13, 2007) was an American jazz saxophonist and composer. Acknowledged as "a quiet, gentle musician" widely regarded as the most influential tenor saxophonist since John Coltrane, he has been awarded 15 Grammy Awards as both performer and composer and was inducted into Down Beat Jazz Hall of Fame in 2007. Jazz Video Guy Bret Primack interviewed Michael Brecker several times, and helped produced the 1999 Saxophone Summit LIve from Birdland webcast. Here Bret reflects on Michael, and features his solo from "All Blues."

A remarkable technician and a highly influential tenor saxophonist (the biggest influence on other tenors since Wayne Shorter), Michael Brecker took a long time before getting around to recording his first solo album. He spent much of his career as a top-notch studio player who often appeared backing pop singers, leading some jazz listeners to overlook his very strong improvising skills. Brecker originally started on clarinet and alto before switching to tenor in high school.

Early on, he played with rock- and R&B-oriented bands. In 1969, he moved to New York and soon joined Dreams, an early fusion group. Brecker was with Horace Silver during 1973-1974, gigged with Billy Cobham, and then co-led the Brecker Brothers (a commercially successful funk group) with his brother, trumpeter Randy Brecker, for most of the 1970s. He was with Steps (later Steps Ahead) in the early '80s, doubled on an EWI (electronic wind instrument), and made a countless number of studio sessions during the 1970s and '80s, popping up practically everywhere (including with James Taylor, Yoko Ono, and Paul Simon).

With the release of his first album as a leader in 1987 (when he was already 38), Brecker started appearing more often in challenging jazz settings. He recorded additional sets as a leader (in 1988 and 1990), teamed up with McCoy Tyner on one of 1995's most rewarding jazz recordings, and toured with a reunited Brecker Brothers band. Two Blocks from the Edge followed in 1998, and a year later Brecker returned with Time Is of the Essence. The early 2000s saw the release of Nearness of You: The Ballad Book and Wide Angles in 2001 and 2003, respectively.

However, after experiencing some mysterious back pain during a concert in 2005, Brecker was diagnosed with myelodysplastic syndrome (MDS), a cancer of the blood marrow. A failed search for a matching bone marrow donor eventually led to an experimental partially matching blood stem cell transplant via his daughter in late 2005. He passed away on January 13, 2007.

Fonte: Jazz Video Guy

IL MEGLIO DELLA SETTIMANA SUL PORTALE TRACCE DI JAZZ

Settimana di concerti importanti. Sul portale le recensioni dei primi due giorni al Teatro Donizetti e all'Auditorium più il quartetto di George Cables a Bollate:

http://www.traccedijazz.it/index.php/recensioni/27-recensione-concerti/249-melford-e-redman-entusiasmano-bergamo

http://www.traccedijazz.it/index.php/recensioni/27-recensione-concerti/254-a-bergamo-nate-wooley-non-sfonda

http://www.traccedijazz.it/index.php/recensioni/27-recensione-concerti/262-la-magia-di-un-incontro-dave-douglas-tom-harrell-5tet

http://www.traccedijazz.it/index.php/recensioni/27-recensione-concerti/271-a-volte-ritornano-%E2%80%93-cables-4tet-in-bollate

Una interessante articolo sull'uso (e abuso) degli standards nel jazz per la penna di Riccardo Facchi :

http://www.traccedijazz.it/index.php/primo-piano/33-te-la-do-io/253-te-lo-do-io-il-solito-standard

Il trio del pianista svizzero Colin Vallon ha pubblicato il secondo album per la E.C.M: la recensione

http://www.traccedijazz.it/index.php/recensioni/26-recensioni-discografiche/258-colin-vallon-le-vent